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<channel>
	<title>Yilin Zhang</title>
	<link>https://gyozayilinzhang.com</link>
	<description>Yilin Zhang</description>
	<pubDate>Fri, 31 Jul 2026 22:30:10 +0000</pubDate>
	<generator>https://gyozayilinzhang.com</generator>
	<language>en</language>
	
		
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		<title>Front page</title>
				
		<link>https://gyozayilinzhang.com/Front-page</link>

		<pubDate>Wed, 05 Apr 2023 14:41:21 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/Front-page</guid>

		<description>
I love you ritually at the Latitude Gallry L@antipode project exhibition Ornament: Her Minor Rituals&#60;img width="2880" height="1464" width_o="2880" height_o="1464" data-src="https://freight.cargo.site/t/original/i/3ad044a095ce1b2f8b0d4969077ae663b26c28a05d4b8343874f5b5811ab2a2b/New-Art-City---Bodies---Environment-2.jpg" data-mid="174355551" border="0"  src="https://freight.cargo.site/w/1000/i/3ad044a095ce1b2f8b0d4969077ae663b26c28a05d4b8343874f5b5811ab2a2b/New-Art-City---Bodies---Environment-2.jpg" /&#62;
&#60;img width="1279" height="1706" width_o="1279" height_o="1706" data-src="https://freight.cargo.site/t/original/i/cfcb77f84845e9552bd9dc23cff06e867f01d0768e7841e41065b8df29bdc966/113761785543426_.pic.jpg" data-mid="250891821" border="0"  src="https://freight.cargo.site/w/1000/i/cfcb77f84845e9552bd9dc23cff06e867f01d0768e7841e41065b8df29bdc966/113761785543426_.pic.jpg" /&#62;
&#60;img width="1279" height="1706" width_o="1279" height_o="1706" data-src="https://freight.cargo.site/t/original/i/7979ad37468e05a291d3c9c1dc47d665202aba14f0ca437df74fbbf2fed0dafd/113771785543438_.pic.jpg" data-mid="250891820" border="0"  src="https://freight.cargo.site/w/1000/i/7979ad37468e05a291d3c9c1dc47d665202aba14f0ca437df74fbbf2fed0dafd/113771785543438_.pic.jpg" /&#62;

Yilin Zhang’s new work are now exhibiting at LATITUDE Gallery NewYork’s L@antipode project’s first exhibition, Ornament: Her Minor Rituals.&#38;nbsp;As its inaugural project, Ornament: Her Minor Rituals brings together six emerging female artists in a group exhibition that unfolds as a quiet yet insistent continuation of Women’s Month. Featuring works by Xindi Cindy Hu, Yichun Huang, Lhamo Yue Liu, Yena Seo-Yeon Park, Zhizi Wu, and Yilin Zhang, the exhibition is curated by Weifan Mo and Xumeng Zhang.
Time Duration: 10 April - July 10, 2026

Furies at the Ties that Cannot Be Unbound, New Art City
&#60;img width="2880" height="1464" width_o="2880" height_o="1464" data-src="https://freight.cargo.site/t/original/i/3ad044a095ce1b2f8b0d4969077ae663b26c28a05d4b8343874f5b5811ab2a2b/New-Art-City---Bodies---Environment-2.jpg" data-mid="174355551" border="0"  src="https://freight.cargo.site/w/1000/i/3ad044a095ce1b2f8b0d4969077ae663b26c28a05d4b8343874f5b5811ab2a2b/New-Art-City---Bodies---Environment-2.jpg" /&#62;
&#60;img width="2880" height="1464" width_o="2880" height_o="1464" data-src="https://freight.cargo.site/t/original/i/3d5de78910571e311586ea677f2f20b56ee9729076aa674bb603b4083378631e/New-Art-City---Bodies---Environment.jpg" data-mid="174355005" border="0"  src="https://freight.cargo.site/w/1000/i/3d5de78910571e311586ea677f2f20b56ee9729076aa674bb603b4083378631e/New-Art-City---Bodies---Environment.jpg" /&#62;

Yilin Zhang’s new work Furies is now exhibiting at Ties That Cannot Be Unbound, a virtual exhibition that discusses the interconnectedness of spirituality and physicality, the blurred boundaries between the living and the non-living, and the ties between our bodies and the environment.

Time Duration: 25 Mar - 30 Jun, 2023

Chiron’s Room at the Endless Insight, 
1st Hyper Youth Award top 10 Artist Group Exhbition


&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/1d991d685540daa57f4cc68ea51ffae8938aa3024d40da8a05eacd13cfda40cd/5.png" data-mid="174359400" border="0"  src="https://freight.cargo.site/w/1000/i/1d991d685540daa57f4cc68ea51ffae8938aa3024d40da8a05eacd13cfda40cd/5.png" /&#62;
&#60;img width="1594" height="1065" width_o="1594" height_o="1065" data-src="https://freight.cargo.site/t/original/i/9adf57d6412a224e71b66481d0e00dd8ea8b898cf5f69dcaef40aeb9ffc6b636/2.jpg" data-mid="174359287" border="0"  src="https://freight.cargo.site/w/1000/i/9adf57d6412a224e71b66481d0e00dd8ea8b898cf5f69dcaef40aeb9ffc6b636/2.jpg" /&#62;
Yilin Zhang’s new project exhibited at the Endless Insight, 1st Hyper Youth Award top 10 Artist Group Exhbition. Hyper Youth Award is organized by Xixi, Imagination Lab and MartinGoya Business, facing artists from GenZ. It broke the trational rule of selection of artworks, using likes on Wechat instead of comments.

Time Duration: 27 May - 26 Jun, 2022

Collaborative Workshop: Exquisite Eggs at Tate Late, Cap Festival 2023
&#60;img width="3946" height="2959" width_o="3946" height_o="2959" data-src="https://freight.cargo.site/t/original/i/d00d06c99a25361743108d5742c68b997617c2910b0ddd75cbabcd8c9eee8bf0/WechatIMG2218.jpeg" data-mid="174360220" border="0"  src="https://freight.cargo.site/w/1000/i/d00d06c99a25361743108d5742c68b997617c2910b0ddd75cbabcd8c9eee8bf0/WechatIMG2218.jpeg" /&#62;

As a part of RCA Contemporary Art Practice x Tate Late,&#38;nbsp;Anaïs Serres, Ben Holmes, Finn Dovey, Amy Ken Chen, Yilin Zhang, Dora Perini hosted a workshop in response to the theme: Tacitlie Presence.

Time Duration: 31 March, 2023
</description>
		
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	<item>
		<title>Fairy Child, Wild Rain</title>
				
		<link>https://gyozayilinzhang.com/Fairy-Child-Wild-Rain</link>

		<pubDate>Fri, 31 Jul 2026 22:30:10 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/Fairy-Child-Wild-Rain</guid>

		<description>Fairy Child, Wild Rain/ 仙童乱雨
painting, fiction, 2025-2026/绘画, 小说, 2025-2026

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&#60;img width="936" height="1204" width_o="936" height_o="1204" data-src="https://freight.cargo.site/t/original/i/bdf139ff003c156bfca80c6e9389639eee550d139055d62f1036d090fb5b8b84/113851785545914_.pic_hd.jpg" data-mid="250891935" border="0" data-scale="88" src="https://freight.cargo.site/w/936/i/bdf139ff003c156bfca80c6e9389639eee550d139055d62f1036d090fb5b8b84/113851785545914_.pic_hd.jpg" /&#62;
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&#60;img width="912" height="1204" width_o="912" height_o="1204" data-src="https://freight.cargo.site/t/original/i/9b91dd185cd19105069966b78f272fe4f978077ef3034805909b32a09643ad3a/113871785545961_.pic.jpg" data-mid="250891936" border="0" data-scale="88" src="https://freight.cargo.site/w/912/i/9b91dd185cd19105069966b78f272fe4f978077ef3034805909b32a09643ad3a/113871785545961_.pic.jpg" /&#62;

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&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/15e2534c9729c4677473f4f1bab54426aedca73240c2d0a1062a2e20d3ad2cf3/residency.jpeg" data-mid="250891829" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/15e2534c9729c4677473f4f1bab54426aedca73240c2d0a1062a2e20d3ad2cf3/residency.jpeg" /&#62;
&#60;img width="5091" height="3399" width_o="5091" height_o="3399" data-src="https://freight.cargo.site/t/original/i/60ed0502fe27d4dcf6af80a20d161603de53deffeea588c69a645acd7cba9247/Cicada-Wing.jpeg" data-mid="250891864" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/60ed0502fe27d4dcf6af80a20d161603de53deffeea588c69a645acd7cba9247/Cicada-Wing.jpeg" /&#62;
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&#60;img width="4672" height="7008" width_o="4672" height_o="7008" data-src="https://freight.cargo.site/t/original/i/f47399a1f2f8d0511d283326c94e42e3e2fd3928ff651b45e4ae2d76b588b537/.jpg" data-mid="250891869" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/f47399a1f2f8d0511d283326c94e42e3e2fd3928ff651b45e4ae2d76b588b537/.jpg" /&#62;</description>
		
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		<title>Enchanted</title>
				
		<link>https://gyozayilinzhang.com/Enchanted</link>

		<pubDate>Mon, 04 Mar 2024 12:38:39 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/Enchanted</guid>

		<description>Enchanted/附魅
painting, drawing, installation 2023/油画，绘画，装置, 150cm x 120cm, 120cm x 100cm, 180cm x 120cm, 2023&#38;nbsp;
“Enchanted”意为附魔，着迷。它描述了一种不可预测的鬼魅般的力量，例如附着在机械体上的超自然力量。这一系列作品受到了工业革命后出现的哥特小说、科幻以及宗教神话的启发，尤其关注那些看似可怕的形象（弗兰肯斯坦博士的怪物、审判日的天使、莉莉丝等）如何反映了我们对快速发展的工业文明的恐惧。作为黑暗、神秘和神圣的结合，哥特利用超自然事件来捕捉技术引发的歇斯底里的力量和恐怖。就像弗兰肯斯坦博士的怪物一样，它是资本主义生产过程的隐喻，通过变形而形成，通过野蛮而文明。我使用绘画、素描和沉浸式装置作为我实现“弗兰肯斯坦再生”的方法，创造异托邦环境，重塑超越交流的感知。
Enchanted "means enchanted, fascinated. It describes an unpredictable ghostly power, such as supernatural forces attached to mechanical bodies. This series of works is inspired by Gothic novels, science fiction, and religious myths that emerged after the Industrial Revolution, with a particular focus on how seemingly terrifying images (such as Dr. Frankenstein's monster, Judgment Day's angel, Lilith, etc.) reflect our fear of rapidly developing industrial civilization.As a combination of darkness, mystery, and holiness, Gothic utilizes supernatural events to capture the hysterical power and terror triggered by technology. Like Dr. Frankenstein's monster, it is a metaphor for the capitalist production process, formed through deformation, and civilized through barbarism. I use painting, sketching, and immersive installations as my method of achieving 'Frankenstein Regeneration', creating a dystopian environment and reshaping perceptions that transcend communication.

&#60;img width="2560" height="1440" width_o="2560" height_o="1440" data-src="https://freight.cargo.site/t/original/i/fce3e4fa103fa0506a3439524adfce4cfa816939daf7206638b634ad38f6974d/untitled.png" data-mid="205982682" border="0"  src="https://freight.cargo.site/w/1000/i/fce3e4fa103fa0506a3439524adfce4cfa816939daf7206638b634ad38f6974d/untitled.png" /&#62;&#60;img width="1870" height="1280" width_o="1870" height_o="1280" data-src="https://freight.cargo.site/t/original/i/59ad80a731800717eea734b1d5918d309e5aeef9b77fc8bf6de9d242c51fcef4/WechatIMG3629.jpeg" data-mid="205984846" border="0"  src="https://freight.cargo.site/w/1000/i/59ad80a731800717eea734b1d5918d309e5aeef9b77fc8bf6de9d242c51fcef4/WechatIMG3629.jpeg" /&#62;&#60;img width="4397" height="5107" width_o="4397" height_o="5107" data-src="https://freight.cargo.site/t/original/i/3d0edde3a680dfe4f285420fbd669ff5c57ae37ad18f8aa6fae87ca2fd343b22/000.jpg" data-mid="205984848" border="0"  src="https://freight.cargo.site/w/1000/i/3d0edde3a680dfe4f285420fbd669ff5c57ae37ad18f8aa6fae87ca2fd343b22/000.jpg" /&#62;&#60;img width="3737" height="5566" width_o="3737" height_o="5566" data-src="https://freight.cargo.site/t/original/i/2e27981cca81160ed8cb8167794f58acf16d26425eb35817df32fa93b5a38252/4.jpg" data-mid="205982625" border="0"  src="https://freight.cargo.site/w/1000/i/2e27981cca81160ed8cb8167794f58acf16d26425eb35817df32fa93b5a38252/4.jpg" /&#62;&#60;img width="3645" height="5562" width_o="3645" height_o="5562" data-src="https://freight.cargo.site/t/original/i/4569831ce30bffc2455a138081c84155f4c1f94705484bad42806ed6103afc99/5.jpg" data-mid="205982628" border="0"  src="https://freight.cargo.site/w/1000/i/4569831ce30bffc2455a138081c84155f4c1f94705484bad42806ed6103afc99/5.jpg" /&#62;</description>
		
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		<title>Chiron's Room</title>
				
		<link>https://gyozayilinzhang.com/Chiron-s-Room</link>

		<pubDate>Wed, 05 Apr 2023 14:41:22 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/Chiron-s-Room</guid>

		<description>
	Chiron's Room/凯龙的房间
installation,video,dimensions variable, 2022/装置，影像，尺寸可变，2022&#38;nbsp;
This virtual space is an isolation room related to a therapeutic situation, and when viewers enter the room and learn about the recovery system by watching TV from the program, they will be given an instruction manual.
 
There are 12 diaries in the room, each corresponding to a theme (self, finances, communication, family, romance, health, relationships, death, faith, career, purpose, secrets). After watching a TV show on TV, viewers can leave any words, pictures, emotions, memories, etc. in the book that they think are related to it.&#38;nbsp;

This place seeks to communicate personal experiences by creating private and intimate environments in the public realm and observe how private experiences constitute collective experiences.


这一虚拟空间是与治疗情境有关的隔 离室，当观众进入房间并通过观看电视节目中的电视来了解康复系统时，他们将获得一份指导手册。 

房间里有十二本日记，每本日记都对应一个主题（自我，财务，沟通，家庭，浪漫，健康，人际关系，死亡， 信仰，职业，目的，秘密）。 

在电视上观看了TV show后，观看者可以在书中留下他们认为与之相关 的任何词语，图片，情感，回忆等。 这个地方试图通过在公共领域建立私 人和亲密的环境来交流个人经验，并 观察私人经验如何构成集体经验。

	


	&#60;img width="1594" height="1065" width_o="1594" height_o="1065" data-src="https://freight.cargo.site/t/original/i/66de79d00e39a6e1913d7d0d894fc4201abacb5c818430d94274a32be42ae849/2.jpg" data-mid="174361055" border="0"  src="https://freight.cargo.site/w/1000/i/66de79d00e39a6e1913d7d0d894fc4201abacb5c818430d94274a32be42ae849/2.jpg" /&#62;
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Exhibition View at the Top 10 Group Exhibition of the 1st Hyper Youth Award, XiXi, Hangzhou</description>
		
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	<item>
		<title>Chiron's Room2</title>
				
		<link>https://gyozayilinzhang.com/Chiron-s-Room2</link>

		<pubDate>Wed, 05 Apr 2023 14:41:22 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/Chiron-s-Room2</guid>

		<description>Chiron’s Room: A Text for Virtual Therapy Situation/凯龙的房间：虚拟治疗情境fictional writing, sound, 2022/虚构性写作，声音，2022

"Chiron's Room" is a virtual therapeutic situation based on narrative dialogue.
 
By referencing the symbol "Chiron" in ancient Greek mythology and astrology, I wanted to create an open consultation room for dialogue.&#38;nbsp;

The text is between reality and fiction, pointing to the true meaning of "therapy" in the postmodern context through metaphor and analysis, and thinking about how to reshape individual identity through the means of connection. The text is divided into three chapters (counseling room, temple, astrology) according to the context, and the two sides of the dialogue are mainly set as the therapist and the client. In the text, the identity of the client is enriched from the perspectives of gender, belief, race, etc.; while the role of the therapist will change with the context, including a psychotherapist who specializes in narrative therapy, a Buddhist monk, and a modern astrologer.

“凯龙的房间”是基于叙事性对话的虚拟治疗情境。 通过引用古希腊神话与占星学中的“凯龙” 这一符号，我想创造一个开放的用于对话的诊疗室。文本介于现实与虚构之间，通过隐喻与分析指向后现代语境下“治疗” 的真实含义，并借此思考如何通过联系的 手段重塑个体身份认同。 文本根据语境分为三个章节（心理咨询室、 寺庙、占星与塔罗），主要将对话双方设 定为治疗师与来访者。在文本中，来访者的身份从性别、信仰、种族等角度得以丰富；而治疗师的角色则会随着语境而产生 变化，包括主攻叙事疗法的心理咨询师， 佛教僧侣，现代占星占卜师等。

&#60;img width="2500" height="1406" width_o="2500" height_o="1406" data-src="https://freight.cargo.site/t/original/i/1859cc92f4366d0600815a8698826a8a82da9e89fdc2ce4b24f48a18db2a4fdc/17.png" data-mid="174361452" border="0"  src="https://freight.cargo.site/w/1000/i/1859cc92f4366d0600815a8698826a8a82da9e89fdc2ce4b24f48a18db2a4fdc/17.png" /&#62;

&#60;img width="1684" height="1198" width_o="1684" height_o="1198" data-src="https://freight.cargo.site/t/original/i/0a548e4332b5627ef577710cfdb278f9bf43c6cadb40c664420faa96761f72da/13.png" data-mid="174361476" border="0"  src="https://freight.cargo.site/w/1000/i/0a548e4332b5627ef577710cfdb278f9bf43c6cadb40c664420faa96761f72da/13.png" /&#62;
&#60;img width="1698" height="1202" width_o="1698" height_o="1202" data-src="https://freight.cargo.site/t/original/i/3ca6707afa3ed717a466355bf5d3c461e850e6d72ce9772f398fd675ba4a4625/15.png" data-mid="174361487" border="0"  src="https://freight.cargo.site/w/1000/i/3ca6707afa3ed717a466355bf5d3c461e850e6d72ce9772f398fd675ba4a4625/15.png" /&#62;&#60;img width="1692" height="1192" width_o="1692" height_o="1192" data-src="https://freight.cargo.site/t/original/i/4dd40c00dd2ac2eaddd4431fa8a5ba5e3f546ab24529afde437220ecdbe291d9/16.png" data-mid="174361498" border="0"  src="https://freight.cargo.site/w/1000/i/4dd40c00dd2ac2eaddd4431fa8a5ba5e3f546ab24529afde437220ecdbe291d9/16.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Cloud</title>
				
		<link>https://gyozayilinzhang.com/Cloud</link>

		<pubDate>Wed, 05 Apr 2023 14:41:22 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/Cloud</guid>

		<description>
	
	
Cloud: Hysterical Fantasy and Doomsday Melancholyfiction,drawing,sound,installation, dimensions variable,2022/小说，绘画，声音，装置，尺寸可变，2022
 
"Umi was sent to this clinic because of the illusions. In the room, through the metal fence, Umi saw a large and constantly wriggling Cloud outside the window. Although doctors and analysts repeatedly told Umi It was just hallucination, Umi still insists that it exists. During the treatment, the clouds Umi saw began to morph and distort. Umi began to dream and draw them. One day, the Cloud disappeared." 

The work "Cloud: Hysterical Fantasy and Doomsday Melancholy" is a situational hybrid installation based on fictional writing, which consists of a short story with materials such as painting and sound. The text consists of two open parts, the first describes the record of a boy Umi receiving treatment after being diagnosed with illusion, and the other part is Umi as a doomsday world humanoid machine fighting against the runaway schizophrenic cloud in his dreamland. The text creates a therapeutic situation by blending hyper-reality, simulacrum and fantasy, into which the viewer enters through the perspective of the psychotic subject created by the artist. The work begins with the phantom-generating deformed "Cloud", trying to explore the possibility of reinventing reality through bridging and healing in an age of continuous imprisonment and violence.


“umi因为能看见其他人看不见的幻象而被送进了这间治疗所。在房间中，umi隔着金属栅栏看见了窗外非常庞大且一直在蠕动的云。尽管医生与分析师反复告诉umi那只是他的幻觉，umi依然坚称它是存在的。在治疗过程中，umi看到的云开始产生变体与扭曲。umi开始做梦并将它们画下来，直到有一天，云消失了。”


作品《Cloud: Hysterical Fantasy and Doomsday Melancholy》是基于虚构文本的情境混合装置，它由一部短篇小说与绘画、音乐等材料组成。该文本由两个开放的部分组成，第一部分描述了小男孩umi在被诊断出幻象后接受治疗的记录，另一个部分是治疗过程中umi作为末日世界人型机器与暴走分裂的云战斗的梦境。
 

该文本通过揉合超真实、拟真与幻想创造了一个治疗情境，观众通过艺术家所创造的精神病主体视角进入该情境。该作品以作为幻象的生成畸形物“云”出发，试图探索在持续监禁与暴力的危机时代，虚构作为弥合与治愈手段重新发明现实的可能性。


&#60;img width="2552" height="1701" width_o="2552" height_o="1701" data-src="https://freight.cargo.site/t/original/i/1b705d524cf6bd6280dc80efd5f5cb502c6d5fc4e1d14771f8ecf0e27a27d649/19.png" data-mid="174361769" border="0"  src="https://freight.cargo.site/w/1000/i/1b705d524cf6bd6280dc80efd5f5cb502c6d5fc4e1d14771f8ecf0e27a27d649/19.png" /&#62;
&#60;img width="908" height="718" width_o="908" height_o="718" data-src="https://freight.cargo.site/t/original/i/cc7b0c161dc5aff90184714437ed270bce280f7143ce7a1ca735ecfa28a791ec/18.png" data-mid="174361940" border="0"  src="https://freight.cargo.site/w/908/i/cc7b0c161dc5aff90184714437ed270bce280f7143ce7a1ca735ecfa28a791ec/18.png" /&#62;&#60;img width="2592" height="1728" width_o="2592" height_o="1728" data-src="https://freight.cargo.site/t/original/i/dfb83c4d8b21a86736b6605f7f73dba3d71f491ec6220a54725bdcc3c05c0c63/20.png" data-mid="174361822" border="0"  src="https://freight.cargo.site/w/1000/i/dfb83c4d8b21a86736b6605f7f73dba3d71f491ec6220a54725bdcc3c05c0c63/20.png" /&#62;&#60;img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/287604b19700b01d9da7b06f8393c9ea66959a8bbe98a407642673014ecda018/21.png" data-mid="174361944" border="0"  src="https://freight.cargo.site/w/1000/i/287604b19700b01d9da7b06f8393c9ea66959a8bbe98a407642673014ecda018/21.png" /&#62;
Exhbition View at ‘Dwelling on the Cloud’ Exhbition, Ugly Duck, London</description>
		
	</item>
		
		
	<item>
		<title>Furies</title>
				
		<link>https://gyozayilinzhang.com/Furies</link>

		<pubDate>Wed, 05 Apr 2023 14:41:23 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/Furies</guid>

		<description>
	
	
Furiesoil painting on canvas, 60x90cmx3, 2023/油画，亚麻布，60x90cmx3，2023

This triptych was inspired by the story of the Furies in ancient Greek mythology. The Furies were the goddesses of revenge in Greek myth. These three female divinities were named Alecto, Tisiphone, and Megaera. As a combination of Earth's Mother Gaia and the blood of Uranus, furies have the power of evil, curse, madness, and hysteria. I tried to use these three girl goddesses as prototypes, combining mechanical and inorganic bodies, imagining them as "Sailor Moon" who appeared at the moment of judgment, and presented beautiful battle events on the canvas. This work aims to reinterpret the possible incarnations of these three goddesses in the cyborg era and multiverse.


这幅三联画的灵感来自古希腊神话中复仇三女神的故事。 Furies是希腊神话中的复仇女神。 这三位女神分别被命名为阿勒克托、提西福涅和墨伽拉。 作为大地之母盖亚和天王星之血的结合体，Furies拥有邪恶、诅咒、疯狂和歇斯底里的力量。 我尝试以这三位少女女神为原型，将机械体和无机体结合起来，将她们想象成审判时刻出现的“美少女战士”，将其战斗事件呈现在画布上。 这一作品旨在重新诠释这三位女神在半机械人时代和多元宇宙中可能的化身。


&#60;img width="2880" height="1464" width_o="2880" height_o="1464" data-src="https://freight.cargo.site/t/original/i/dfc5e734dbfa6d04b66a3e659fb0e64191c1e0a96b9922bb0f8051d89277d4ba/New-Art-City---Bodies---Environment.jpg" data-mid="174362107" border="0"  src="https://freight.cargo.site/w/1000/i/dfc5e734dbfa6d04b66a3e659fb0e64191c1e0a96b9922bb0f8051d89277d4ba/New-Art-City---Bodies---Environment.jpg" /&#62;
&#60;img width="2880" height="1464" width_o="2880" height_o="1464" data-src="https://freight.cargo.site/t/original/i/896cb6ad0dc8d875e095cbbfa98275498195acb26f2717ca35706ba03d38eaee/New-Art-City---Bodies---Environment-2.jpg" data-mid="174362150" border="0"  src="https://freight.cargo.site/w/1000/i/896cb6ad0dc8d875e095cbbfa98275498195acb26f2717ca35706ba03d38eaee/New-Art-City---Bodies---Environment-2.jpg" /&#62;&#60;img width="5906" height="3028" width_o="5906" height_o="3028" data-src="https://freight.cargo.site/t/original/i/d67d76d6af827640988d6d205b7285366944c578b3efbba47be19dde50f07ea0/furies.jpg" data-mid="174362116" border="0"  src="https://freight.cargo.site/w/1000/i/d67d76d6af827640988d6d205b7285366944c578b3efbba47be19dde50f07ea0/furies.jpg" /&#62;
Exhibition View at ‘Ties That Cannot Be Unbound’,New Art,City</description>
		
	</item>
		
		
	<item>
		<title>Borderline</title>
				
		<link>https://gyozayilinzhang.com/Borderline</link>

		<pubDate>Wed, 05 Apr 2023 14:41:23 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/Borderline</guid>

		<description>Borderline
 painting,performance,220cm x 170cm x 2, 2020/ 综合绘画，行为，220cmx170cmx2，2020

This series of paintings follows the principle of contingency in the art of contingency, that is, the creative process does not presuppose the result, and the painting process is like a marathon. 

In the creative process, I try to capture the conflict and borderline pain within the body, and release these subjective experiences on the canvas. By presenting images of the painting process, I hope to prompt the audience to look at different positions and ways of viewing, and what is presented on the canvas is an event rather than a picture. Emphasize that the act of painting is the result of painting itself. 

As Bataille said, "self" is not a subject isolated from the world, but a place of communication, where subject and object blend. With the help of the exhibition, personal events can be transitioned to public events, hoping to gain more experience of dialogue.


这一系列绘画作品遵循偶发艺术中的偶发性原则，即创作过程不预设结果， 绘画过程如同一场马拉松。在创作过程中，我试图捕捉身体内 的矛盾冲突 及边缘痛感，并将这些主体经验遗 留 释放在画布中。通过展示绘画过程影像，我希望提示观众以不同的观看位置与观看方式， 画布上所呈现的是一 次事件而非画面。强调绘 画行为即绘画结果本身。 

&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/433fdf15f699ecc7bc71b2be5ee747f5e7ecd94597962407ed7a0968a7882f2c/22.png" data-mid="174362213" border="0"  src="https://freight.cargo.site/w/1000/i/433fdf15f699ecc7bc71b2be5ee747f5e7ecd94597962407ed7a0968a7882f2c/22.png" /&#62;
&#60;img width="2835" height="1890" width_o="2835" height_o="1890" data-src="https://freight.cargo.site/t/original/i/70e01b301638f5d9feef092bf68a1e93339c6ad8b185d41448363b33dc8592ab/23.png" data-mid="174362272" border="0"  src="https://freight.cargo.site/w/1000/i/70e01b301638f5d9feef092bf68a1e93339c6ad8b185d41448363b33dc8592ab/23.png" /&#62;&#60;img width="1654" height="1103" width_o="1654" height_o="1103" data-src="https://freight.cargo.site/t/original/i/c2104393a631db87af4e0f8b54f47b401d7689045c1c1995c89583515e9d7c3b/24.jpg" data-mid="174362256" border="0"  src="https://freight.cargo.site/w/1000/i/c2104393a631db87af4e0f8b54f47b401d7689045c1c1995c89583515e9d7c3b/24.jpg" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/17f056761faab17bad0152e9b30952dac678759e52c93d332d16e026b5ee74da/25.jpg" data-mid="174362319" border="0"  src="https://freight.cargo.site/w/1000/i/17f056761faab17bad0152e9b30952dac678759e52c93d332d16e026b5ee74da/25.jpg" /&#62;</description>
		
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	<item>
		<title>Go Back</title>
				
		<link>https://gyozayilinzhang.com/Go-Back</link>

		<pubDate>Wed, 05 Apr 2023 14:41:23 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/Go-Back</guid>

		<description>Go Back
 painting,performance,1100cm x 250cm, 2019 /绘画，行为，1100cmx250cm，2019

This space drawing is an action-based creation. I confined myself in a room for about twenty days to complete it.
 
My intention was to restore the room that has been limited and protected me. This work also aims to apply Carl Gustav Jung's psychological healing treatment by expressive art mentioned in the Red Book. In this room, I released the emotions, memories, and illusions that have long plagued me through painting, and&#38;nbsp;finally use a roller with white paint to cover the paintings&#38;nbsp;created on the wall. 

By doing this, I want to show my&#38;nbsp;interpretation of the "reconciliation" in Buddhism as a&#38;nbsp;kind of "clearing" and use the whole process to respond&#38;nbsp;and think about the question, "What is healing”

这一空间绘画作品是以行为为基础的(action- based)。我将自己禁闭在一个房间内约二十天将 其完成。&#38;nbsp;我的创作初衷是还原心中那个一直束缚着同时保&#38;nbsp;护自己的房间。

为了回应荣格在《红书》中提到的表达性艺术心理疗愈方法，我将长期困扰我的 情感、回忆、幻象通过绘画释放在这个空间内， 并最终选择用滚筒将带有图像的墙面刷白。&#38;nbsp;

我将佛教中的“和解”理解为一种“清零”，并用整个过程去回应与思考“什么是疗愈”这一问题。
 

&#60;img width="2200" height="963" width_o="2200" height_o="963" data-src="https://freight.cargo.site/t/original/i/86f75bdcaa2cce2f81b8f48fe516518406d16a44c0bd7e3df51bba827e41a909/26.png" data-mid="174365732" border="0"  src="https://freight.cargo.site/w/1000/i/86f75bdcaa2cce2f81b8f48fe516518406d16a44c0bd7e3df51bba827e41a909/26.png" /&#62;
&#60;img width="2200" height="962" width_o="2200" height_o="962" data-src="https://freight.cargo.site/t/original/i/89a70003166093a276bb71f719c9ecdadf878050eb3776a8bfc158955a673c55/27.png" data-mid="174365733" border="0"  src="https://freight.cargo.site/w/1000/i/89a70003166093a276bb71f719c9ecdadf878050eb3776a8bfc158955a673c55/27.png" /&#62;

&#60;img width="1654" height="1103" width_o="1654" height_o="1103" data-src="https://freight.cargo.site/t/original/i/99f43ccdf55bc957c91dd6ce9e528bab6b9769cc70c7f89575357191fe45320b/28.png" data-mid="174365734" border="0"  src="https://freight.cargo.site/w/1000/i/99f43ccdf55bc957c91dd6ce9e528bab6b9769cc70c7f89575357191fe45320b/28.png" /&#62;&#60;img width="1280" height="823" width_o="1280" height_o="823" data-src="https://freight.cargo.site/t/original/i/f1150a42b61762b85f5e40b05e17097bb868eda924fea830bddb03f8e746e29d/29.png" data-mid="174365735" border="0"  src="https://freight.cargo.site/w/1000/i/f1150a42b61762b85f5e40b05e17097bb868eda924fea830bddb03f8e746e29d/29.png" /&#62;&#60;img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/10bb219ceaab0039f7ccf9c872eef5948e22e514b7c3e58843409e99ea4d7cb3/32.png" data-mid="174365738" border="0"  src="https://freight.cargo.site/w/1000/i/10bb219ceaab0039f7ccf9c872eef5948e22e514b7c3e58843409e99ea4d7cb3/32.png" /&#62;</description>
		
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	<item>
		<title>A Clinic for LGBT Conversion</title>
				
		<link>https://gyozayilinzhang.com/A-Clinic-for-LGBT-Conversion</link>

		<pubDate>Wed, 05 Apr 2023 14:41:24 +0000</pubDate>

		<dc:creator>Yilin Zhang</dc:creator>

		<guid isPermaLink="true">https://gyozayilinzhang.com/A-Clinic-for-LGBT-Conversion</guid>

		<description>A Clinic for LGBT Conversion Therapy&#38;nbsp;installation,dimensions variable, 2019/装置，尺寸可变，2019&#38;nbsp;

The project was inspired by the conversion therapy for LGBT in China. When we discussed "abnormality," we need to think&#38;nbsp;about the real meaning of "normal" in a social context.

&#38;nbsp;To reflect their situation, I tried to show the treatment details&#38;nbsp;and methods for this non-existed disease. I even tried to&#38;nbsp;reproduce the clinic environment. It was a temporary virtual&#38;nbsp;space with the settings that copied from the reality to stimulate&#38;nbsp;a real clinic for reversal treatment. I placed it on the streets of&#38;nbsp;Shanghai and looked forward to the public's effect.


这一项目的灵感源于在中国依然大量存在的针对LGBT群体扭转治疗现象。当我们讨论“不正常”的时候，我们需要去思考“正常”的社会意义是什么。&#38;nbsp;

我试图通过将治疗不存在的疾病这一过程具体且方法论化， 来反应今天存在在性少数群体内的的某种现实。最终我在上&#38;nbsp;海街头还原了一个可以对LGBT群体进行扭转治疗的诊所，&#38;nbsp;并虚构了其中使用到的的治疗方法与文本。这是一个临时的可移动空间，一个虚拟但提取自真实的场域。


&#60;img width="1443" height="1103" width_o="1443" height_o="1103" data-src="https://freight.cargo.site/t/original/i/d591dfb98df7674ca0521dc65d879423bf1b81c78cc88cdc6ae1a5148fffef2a/37.jpg" data-mid="174365949" border="0"  src="https://freight.cargo.site/w/1000/i/d591dfb98df7674ca0521dc65d879423bf1b81c78cc88cdc6ae1a5148fffef2a/37.jpg" /&#62;
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&#60;img width="1654" height="1103" width_o="1654" height_o="1103" data-src="https://freight.cargo.site/t/original/i/b2b748870903772571fc21d9f1cd288aa5d7533f319705d9c49f56274ca0f210/35.png" data-mid="174365946" border="0"  src="https://freight.cargo.site/w/1000/i/b2b748870903772571fc21d9f1cd288aa5d7533f319705d9c49f56274ca0f210/35.png" /&#62;
&#60;img width="1684" height="1103" width_o="1684" height_o="1103" data-src="https://freight.cargo.site/t/original/i/985a049a101245acca354c431f3cfe91d3f07fc5e299ee33078cea6fcd5c45f0/36.png" data-mid="174365948" border="0"  src="https://freight.cargo.site/w/1000/i/985a049a101245acca354c431f3cfe91d3f07fc5e299ee33078cea6fcd5c45f0/36.png" /&#62;</description>
		
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